"...so turn off your damn cell phones."
-I think that was the last time Billy Crystal hosted the Academy Awards (for some strange reason, him singing that line as part of his entrance has managed to embed itself in my memory for the better part of more than a decade). Of course, the man who does it best is back to host the 84th. The nominees were announced yesterday, and I just wanted to add my own impertinent thoughts on them...
-Best Picture:
--Once again, the Academy succumbs to it's bad habit of nominating films nobody has seen. My own refining and maturing taste in film does not permit me to write this off easily, as all nine nominees were critically acclaimed. Attempting to find the middle ground between critics and audiences, I come to the following conclusions...
-The Descendants to another George Clooney vehicle released this year, The Ides of March. Competently written, good cast, but it doesn't seem like it would really be worth watching a second time (I'll grant you I could be way off here, I've only seen one of the nine nominees). It kind of has that feeling that the studios wanted an award winner and told Alex Payne not to sweat trying to sell the movie to the public. Plus, I cannot bring myself to like George Clooney. He's too....how can I put this eloquently? Douchey for me.
-I didn't see The Help. Not my cup of tea, not my kind of movie. Seems like a compelling story, though. But I doubt it will be enough to stand out in this year's field.
-Both Midnight in Paris and The Tree of Life were critics' darlings this year-in fact, Paris has been called Woody Allen's best film since Bullets over Broadway. But both films suffer from the same problem-"What?" I'd never heard of either of these films until they were announced as nominees-and I consider myself a film buff. Once again, audience exposure was extremely neglected for the sake of appealing to the art types-a shame, too, given thatThe Tree of Life (again, what?) is the defending Palme d'Or winner.
-Hugo suffers from the same underexposure problem for me. Which I can't really comprehend, given that it's a Martin Scorsese film and they're saying it's the best he's ever made (last time I heard that was 2006, and that was certainly true then).
-Extremely Loud and Incredibly Close features a good story revolving around 9/11 and featured some A-list casting. But here, whoever was in charge released the film at the end of the year and didn't do enough to get the audiences into the theaters. Too little, too late, I fear.
-I don't care if it was based on a book (a true story, from what I understand). I don't care if it was a Spielberg project. I do't care if it was a big-budget Christmas release. War Horse reeks of "awards bait." Enough said.
-Moneyball was the one film out of the nine that I actually did see. I thought it was brilliant-probably the best sports film I've seen-alongside the documentary Senna, which didn't make the Academy shortlist-in my twenty-one years on this planet. That said, I doubt it will be the winner against the more artistically-inclined competition.
-My "expert" called it last night that the winner of the big one this year will be The Artist. Once again, I've never heard of it. But from what little I do know, I agree with her. Let me sum it up for you: This move, set in Hollywood between 1927 and 1931, was shot in black and white and, like the films of the era it represents, is silent. As in no dialogue. For a filmmaker to do that in today's movie world is quite radical and daring. I'm impressed. What's more, the acclaim has been almost universal for this film, which won this category at the Golden Globes and was also nominated for 12 BAFTAs.
-Best Director
--Based on my understanding, I think it will be between Martin Scorsese (for Hugo) and Woody Allen (for Midnight in Paris) over Terrence Malick (The Tree of Life) and Alexander Payne (The Descendants). The critics have said both directors are being nominated for the best movies they've ever made. Michel Hazanavicius is the dark horse in the race for The Artist. If anyone can upset this battle, it will be him.
-Best Actor
--Demian Bichir was nominated for playing a Mexican laborer trying to build a better life for himself and his son in Los Angeles in A Better Life. Heartfelt, but he has some stiff competition: George Clooney for The Descendants, Brad Pitt for Moneyball, Jean Dujardin for The Artist, and the wonderful Gary Oldman for Tinker Tailor Soldier Spy. If I had to say what my heart wants, it'd be between Pitt (damn good as Billy Beane) and Oldman (who else could play the lead in a movie based on the greatest spy novel of the last fifty years?). Dujardin will be a likely spoiler, though.
-Best Actress
--Glenn Close was an unexpected surprise (Albert Nobbs-channelling Julie Andrews, perhaps? She won her Oscar playing a similar role). Rooney Mara's nod suggests to me just how good David Fincher's adaptation of The Girl with the Dragon Tattoo is. But it'll be a three-way race between Academy legend Meryl Streep (as Margaret Thatcher in The Iron Lady), Streep's likely successor Viola Davis (for The Help-interesting to note, Streep and Davis were both nominated a couple of years ago for their performances in Doubt) and Michelle Williams for what I hear was a very strong turn as Marilyn Monroe (My Week with Marilyn-a performance good enough to nab Miss Williams a Golden Globe).
-Best Supporting Actor
--I know all the names but only one of the performances. Jonah Hill in Moneyball was nice to see; it was also the only nomination I have actually seen. Kenneth Branagh (My Week with Marilyn as Laurence Olivier), Nick Nolte (rules-yeah!(forgive my little joke)) (Warrior), Christopher Plummer (Beginners), and Max von Sydow (Extremely Loud and Incredibly Close). Since I literally do not know any better here, I'd say this race is wide open.
-Best Supporting Actress
--Again, same problem. Berenice Bejo (The Artist), Jessica Chastain and Octavia Spencer (both for The Help), and Janet McTeer (Albert Nobbs)...I think Bejo will most likely win, though I'm thoroughly amused to see Melissa McCarthy nominated for Bridesmaids. It must be something to be nominated for a role whose seminal moment in the film involves angrily defecating into a sink (I literally stopped and laughed out loud after I typed that).
-Best Screenplay, Original
--A tough one, but my guess is a battle between The Artist and Midnight in Paris. A Separation, an Iranian film, is the likely dark horse, though I'd like to see the Academy humor comedy (ha ha) once in a while and give Bridesmaids a go. Margin Call will probably have to be content to have gotten a nomination.
-Best Screenplay, Adapted
--Another tough one, and here it could be anyone's race: The Descendants getting a nod here along with three other major nods suggests the critical strength of the film. The Ides of March failed to really impress me, but I'll concede it was competently written and deserved a nomination. I've made my love of Moneyball quite clear, and I think it just might stack up against Hugo. I think I might want to see Tinker Tailor Soldier Spy win, though.
-Best Animated Feature
--I haven't seen any film nominated here. I don't however, like the fact that the Academy got hung up on technicalities regarding motion capture to snub The Adventures of Tintin, which won the Golden Globe for this category. I haven't seen Rango, Puss in Boots or Kung Fu Panda 2. I've never heard of A Cat in Paris. If I had to pick, I'll say Chico and Rita for using more traditional-style animation and integrating an excellent sound track into the film's central love story.
-Best Foreign Language Film
--Again, I'm oblivious to the competition here. For the record: Bullhead from Belgium,Footnote from Israel (the Israelis continue to demonstrate the strength of their own filmmaking industry in recent years), In Darkness from Poland, Monsieur Lazhar from Canada (it's in French), and my pick for most likely to win, A Separation from Iran, which also received a screenplay nomination.
-As for the remaining categories: I've already taken up too much space to go into detail here. I'm not helped by the fact that I haven't seen most of the nominees, either. I do, however, encourage you to check them out on your own. The show begins February 26th.
"So sit back, relax, forget about Mars Attacks!"